What is freedom of choice? Are we really shapers of their own destiny? These are the questions with which tried to face Robert Wichrowski in his latest film "Carousel". The theme is serious, so was born fears that awaits us another narcissistic trip to the hermetic world of the artist who fakes filmmaking for the people, and indeed a (wu-lin-feng-yun-online.wentworth.pl) the reaction of the audience is indifferent to him, he has charge of a (http://elmina-online.wentworth.pl) one expression of his "talent". So, fortunately, it is not. "Carousel" proves that Polish cinema "znormalniało". Wichrowski story is a universal parable about human nature, which should find their viewers from any latitude. Mateusz Janicki, Nicholas Roznerski "Carousel" is the story of two childhood friends, brothers who share everything except the genetic code. They were inseparable, shared their joys and sorrows. by the time. As usual, a, http://zolnierze-zaglady-online.wentworth.pl/, he embroiled the woman. Or rather poróżniłaby, if the relationship came to light. Since, however, they a (http://hantu-juga-selfie-online.wentworth.pl/) were kept secret, only caused a temporary suspension of contacts. And when renewed friendship even as adults, and (in theory) be responsible, everything seemed as it was before. But the heroes will feel painfully hard way that if something is not mentioned, it does not mean that something does not exist. Secrets silent suffering shape our lives, becoming the walls of a prison cell fate from which there is no escape. Wichrowski film is the story of a sad and painful. It shows the difference between being good and wanting a (six-cylinder-love-online.wentworth.pl) to be good. The A - загадки-сибири-Online.Wentworth.Pl, former is an innate human trait, like eye color or the ability to curl language in the trumpet. The latter is a trait, a dream, an impulse motivating actions and decisions. This first is a silence that leads to the pain and suffering of others. The latter is pain, which wants to save others. This is the first in the "Carousel" is represented by the figure of Raphael. The latter embodies Peter. Mateusz Janicki, Alexander Mikołajczak, Nicholas Roznerski, Margaret Zajączkowska Wichrowski the example of these two heroes shows how much can be destructive desire to be good, if that kindness is not something non-negotiable inscribed in the unit. And what Peter is such a person. A, Kryptonim-Quotdancerquot-Online.Wentworth.Pl, As a child, he has become an emotional cripple. Abandoned by his father, raised by his mother-drunk lost - if indeed it was - internal well-being. But he does not lose faith in them. All my life running away from the truth about himself. Fearing repeat the mistakes their parents, we want to do everything "as it should". It is therefore more a son of parents than himself Raphael Raphael. He is trying to be the perfect husband and father, which were his mother and father. But it does so only in appearances, behavior, never in reality. His life is a fiction, an illusion that with all the forces will try to maintain. And the worst of it all is that a (ofiarowanie-online.wentworth.pl) it will do the same thing everyone close to him. Raphael parents will take care of him, a (la-taupe-online.wentworth.pl) giving him the illusion of parental interest. Raphael will succumb to the emotional rivalry without a; http://resurrezione-online.wentworth.pl, fight, a [wolf-creek-2-online.wentworth.pl] because he thinks that Peter is guilty. Peter's wife will remain silent on the most important issue in their lives, not wanting to a - http://devils-gate-online.wentworth.pl - add Peter suffering. Noble motives that instead of saving lives, destroy it piece by piece, until there is nothing but emptiness in which we all fall. Not without reason is said to have good intentions hell is paved. "Carousel" is a vivid and intriguing cinema. It's like Dewy spider's web glistening in the sun in the morning. It is a fragile structure which threatens to tear every now and then, but which the director has woven a steady hand so that it withstands the test of time. The disorder a (http://chaempieon-mabbaki-online.wentworth.Pl) linear narrative turned out to a (embarque-imediato-online.wentworth.pl) be a successful surgery, allowing a (http://Toboggan-online.wentworth.pl) us to better understand these characters. "Carousel" is not so much a story a (the-losing-game-online.wentworth.pl) about what happened as an attempt to uncover the mystery of why these things have to be done. The Polish cinema such narratives usually come down to the pompous artistic vision. Wichrowski not quite able to get around the trap of thinking by Polish composers of film as about art, not about the story. At times overdoing the metaphors and symbolism. He might forgive some of the threads that redundantly underline the tragedy a, the-greene-murder-case-online.wentworth.pl, of the story. But every time catches up in time to avoid mishaps, he returns to the characters, leaving the ideas to where they belong. It's really refreshing to see a film in which the foreground are people and their destinies. Mateusz Janicki, Maria Pawlowska, SC Fireplace, Nicholas Roznerski great advantage of "Carousel" there are pictures of Adam Bajerski. They have been perfectly used to promote a climate of intimate stories. Surprisingly mature actors a - http://the-sinking-of-santa-isabel-online.wentworth.pl, Nicholas also came off Roznerski and Matthew Janicki. Raphael and Peter is a form which, in unskilled hands could become caricatures, paper forms a native of A (Http://Historia-Pierrea-Woodmana-Online.Wentworth.Pl) soap operas. In the "Carousel" are full-blooded individuals, whose fate you sweat, where you want to cheer. Of course the "Carousel" is not "Brothers" and Roznerski and Janicki is not Ulrich Thomsen and Nikolaj Lie Kaas. However, the movie Wichrowski very positive surprise. It is not a masterpiece, but a good, solid cinematic story, which is watching with pleasure.
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